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  • BDP.17

    Aaron Curry: DOOMSDAY PAINTINGS, 2022

    32 pages

    10.75 x 14 x .125 inches

    Edition of 200 signed copies

    Designed by Brian Roettinger

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    $100.00

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  • BDP.16

    Peter Saul: Professional Artist Correspondence 1945–1976  , 2020

    Paperback, 272 pages

    6 x 8 x .87 inches

    Edition of 1000 copies
    Edited by Dan Nadel

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  • BDP.15

    Richard Hawkins: Martin of Holland Poster Series, 2021

    8.5 x 11 x .5 inches

    Five 8.5" x 11" broad sheets unfolded to 24" x 17"
    Edition of 100
    NSFW

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    $20.00

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  • BDP.13

    Gary Panter: Glow In The Dark Useless Bong, 2017

    3 x 4.5 x 2 inches

    Edition of 300

    Mold-A-Rama Plastic Object

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  • BDP.12

    SOQUEL CURRY: POP SONGS, 2017

    5 x 5 inches

    Edition of 250 copies.
    10 songs on USB flash drive.

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  • BDP.11

    Gary Panter: Hippie Trip, 2017

    272 pages

    5.38 x 8.38 x .87 inches

    Edition of 500 copies.
    Each copy comes with prismatic sticker and iron-on patch.

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    $75.00

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  • BDP.10

    Richard Hawkins & Elijah Burgher: Sperm Cult, 2017

    48 pages

    8.5 x 11 x .5 inches

    Edition of 300 copies with silk-screened paper bag.

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    $45.00

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  • BDP.9

    Brian Calvin: The Sitter, 2015

    6 x 25.5 x 9 inches

    Edition of 100.

    Inkjet on bleached cardboard

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  • BDP.8

    Gary Panter: Useless Bong (LAABF Special Limited Edition), 2016

    3 x 4.5 x 2 inches

    Mold-A-Rama Plastic Object

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  • BDP.7

    Brian Roettinger: 8 Announcements Exhibition Catalog, 2015

    20 pages

    10.5 x 14 x 0.5 inches

    Edition of 300 copies.

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    $20.00

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  • BDP.6

    Aaron Curry: Bad Brain, 2014

    148 pages

    9.5 x 12.25 x .75 inches

    Bad Brain, Aaron Curry's eagerly awaited catalog from his 2014 exhibition at CAPC musée d'art contemporain de Bordeaux, features 80 artworks spanning a decade, between 2003 and 2014. Edited by Karen Marta. Text by Michael Ned Holte, Richard Hawkins.

    Case bound with a screen printed polyvinyl dust jacket. Printed using a custom four color fluorescent UV process technique. Included is a 44 page compendium with an annotated scrapbook of Curry's work by Richard Hawkins. Also included is a poster insert with the exhibition installation view images.

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    $40.00

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  • BDP.5

    Kim Gordon: Flung, 2014

    10.5 x 14 x .125 inches

    Edition of 250 copies.

    Part documentation, part seductive, part domestic. Flung is comprised of one 10.5 x 14 inch unbound signature (16 pages). In Flung, Gordon, with her iPhone makes the day-to-day visible prior to her exhibition, Design Office: Coming Soon, April 4–26, 2014 held at the Fitzpatrick-Leland House.

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    Design Office began in 1980 as a way to practice art outside of the gallery system. The first projects involved friends’ apartments. D.O. was to be sort of a reflective intervention into the lifestyle of the clients. Objects and a physical change to the interior based on the personality and desires/needs of the client. The design activity was not meant to be well executed or look a certain way, have a certain look or style. If anything it was a lo-fi aesthetic using or recycling other aesthetics.
    —Kim Gordon

    $35.00

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  • BDP.4

    Aaron Curry: 35 Monoprints, 2014

    11 x 15 x .125 inches

    Edition of 100 copies.

    Comprised of six 22 x 30 inch broadsides folded down to 11 x 15 inch, 48 page booklet. Custom polyvinyl sleeve included.

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  • BDP.3

    Aaron Curry: 25 Collages, 2013

    9.5 x 13 x .125 inches

    Edition of 250.

    25 pages, printed on cover stock with fluorescent color process. Each copy includes 4 fluorescent yellow die cut stickers.

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  • BDP.2

    Aaron Curry: 16 Box Paintings, 2013

    8 x 10 x .75 inches

    Edition of 100 copies.

    16, 8 x 10 inch peel and stick stickers mounted on card stock.

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  • BDP.1

    Aaron Curry: 50_drawings, 2013

    Volume 1

    508 pages

    6.5 x 9 x 1.25 inches

    Edition of 100 copies.

    Aaron Curry: 50_Drawings, is a portal into the process of Curry’s oeuvre. Comprised of 500 drawings printed lavishly with a brown spot color on pink Astrobright paper. The last eight pages are intentionally left blank to allow for up to 8 unique drawings, which then effects the quantity of the title of the book. First 50 editions are allocated for 500 Drawings.

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